Relationship Between Shots In Thor Ragnarok Scene

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In the first few shots of Bruce Banner and Valkyrie speaking to each other, you can see a clear use of the 180-degree rule. Banner is placed on the left side of the frame at all times and Valkyrie is placed on the right side everytime the shots change, maintaining the continuity of the scene. As Banner jumps off the plane, the scene "jump" cuts to another scene of Fenris running towards the Asgardian refugees. This shot is composed so that Fenris is placed directly at the middle of the bridge in order to emphasize the physical depth of the scene to create anticipation. The leading lines composed also help bring focus to Fenris as he takes up more space in the frame as he moves closer. In this shot, we get to see the action from the position of the Asgardians, however, we are placed behind the Asgardians at a higher angle, so it is not a true POV shot. The shot is then cut with a matched action tracking shot of Fenris running from behind in order to further build anticipation and add to the mood of danger. The scene is then interrupted by Banner falling onto the bridge and into the frame, which breaks the anticipation. Furthermore, the shot is transitioned by a close-up panning shot that reveals Banner laying down knocked out and stagnant. The juxtaposition of these two scenes from a build-up of momentum and movement, to an awkward and stagnant scene helps accentuate the comedic effect intended for this scene.

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